ClarinetMike in Los Angeles!

Dr. Michael Dean “ClarinetMike”

Hey! Next week I’ll be performing and teaching on a mini tour of Los Angeles. California! ClarinetMike says, “Watch the Livestream on Tuesday! FYI, I perform first!”

Los Angeles, California Mini Tour 2023
Michael Dean, clarinet


Academy of Visual and Performing Arts (AVPA)
Culver City High School
Culver, City, California
Monday, May 15
Lecture Recital, 1:30 pm
Master Class, 2:30 pm

University of California at Los Angeles (UCLA)
Herb Alpert School of Music
Schoenberg Hall
Los Angeles, California
Tuesday, May 16
Performance, 8 pm PDT (Pacific Daylight Time)
Information and Livestream: Click Here

At AVPA, my master class is “Career Development in Music and the Arts.” My lecture recital includes the following (subject to change):

Summer Sunrise on the Mississippi (2009) (clarinet & media) by Robert Fruehwald (b. 1957)              

Andy and Me (2006) (clarinet & media) by Robert Fruehwald

“Fairly slowly” from Low Register Suite No. 1 (c. 1973) (solo clarinet) by Alec Wilder (1907-1980)

“Gently” from Three Smiles for Tracey (1989) (solo clarinet) by Adolphus Hailstork (b. 1941)

Nimbus! (2021) (clarinet & media) by Austin Ali (b. 1997)

At UCLA, I will be perform Nimbus! for a graduate composers concert. Here’s a program note for Nimbus!:

Nimbus! (clarinet & media) (2021) by Austin Ali (b. 1997) 

Austin Ali said, “Nimbus! is dedicated to the Dean family and their two-year-old golden retriever, Nimbus. The work blends the spirit of Nimbus (a big, loving dog who’s still a bit of an excited puppy) and the inspiration for the name Nimbus (meaning ‘halo’). Nimbus! represents both Nimbus the dog and the companionship dogs offer us humans, a sacred gift of common grace for us all to enjoy. The media track features pre-recorded clips of clarinetist Michael Dean playing four clarinets: Bb, A, Eb, and Bass clarinets. In the piece, the spirit of Nimbus finds itself in the rapid, fluttering gestures in the media accompaniment. The solo part and media accompaniment part mirror each other at times like a companion. Yet, the parts are not exact mirror images of each other. The fragmented melodies in the media swell and burst, continually breathing life and excitement into the piece, feeding its rhythmic pulse. The clarinet solo compliments this driving rhythm often with soaring lyrical melodies, foreshadowing the heartfelt ending of the piece. Eventually, the lyrical solo part tames the frenetic accompaniment. The work ends with an homage to Nimbus’ great-uncle Andy with a whimsical quote from Robert Fruehwald’s ‘Andy and Me.’” 

Hailing from Texas, Austin Ali (b. 1997) is a composer, trumpeter, and educator based in Los Angeles, California. An insatiably curious person, he strives to inspire wonder through his music. From complex-meter jazz to spacey orchestral scores, he seeks to compose infectiously fun and unforgettable music. Austin graduated summa cum laude from the University of Texas at Austin, earning two undergraduate degrees in four years (Music Composition and Plan II Honors) and studying composition principally with Drs. Yevgeniy Sharlat and Donald Grantham. After completing his MA in Music Composition from UCLA, Austin is currently pursuing his PhD at UCLA, studying with Drs. Ian Krouse and Richard Danielpour. His compositions have been premiered by world-class musicians including the Austin Symphony Orchestra in Austin, Texas, Spanish Brass in Valencia, Spain, and the Carpe Diem String Quartet in Siena, Italy. As a trumpeter, Austin was named “Promising Artist of the 21st Century” on tour with Big Wy’s Brass Band, performing for the U.S. Ambassador and President of Costa Rica. Most recently, the Tampa Bay Symphony premiered his orchestral work Defiant Overture in February, April, and May 2023. Austin is looking forward to the premieres of The Beginner’s Guide to Space Travel with the Columbus Symphony Orchestra in June 2023 in Indiana and his Harp Concerto by the Los Angeles Chamber Music Company in July 2023.

Acclaimed American clarinetist Dr. Michael Dean “ClarinetMike” performs and teaches worldwide. He’s appeared at Carnegie Hall and other prestigious venues, and is faculty artist-in-residence at the summer Orfeo Music Festival in Italy. He successfully taught at the college level for 25 years and has performed with numerous orchestras and ensembles. In addition to being a busy freelancer in Dallas/Fort Worth, Texas, he’s also studying digital assets and their application to music and music education.

Posted in All, News, Performance & Pedagogy | Tagged , , , , , , | Leave a comment

ClarinetMike In Italy 2023! Orfeo Music Festival 2023 Application Information and MORE!

NEWS! I’m again returning as Clarinet Artist Faculty in Residence at the international Orfeo Music Festival in the beautiful Italian Alps of Vipiteno, Italy (Sterzing) this coming summer, July 3-14, 2023.

Check It Out! Orfeo Music Festival 2023 Website:  www.orfeomusicfestival.com. Festival concerts are held at historical venues such as Vipiteno’s Medieval and Renaissance churches as well as at a beautiful modern theater. The study program takes place in one of the best music schools in the region located in a beautiful 13th-century historical building. Festival participants stay at local hotels within walking distance of all venues: pictures.

Who? YOU! Who should apply to go to Orfeo 2023? University, college, conservatory and graduate students, advanced high school students, talented amateurs, and teachers looking for professional development should apply. Please contact me if you have questions or want help with applying: email me at clarinetmiketexas@yahoo.com.

NEW! I will offer an extra class during the festival, “Digital Assets and Musicians.” The class will introduce the emerging world of new digital assets and technologies and their possible uses to advance a music career. We will consider the past, present, and potential future of Web 3, NFTs, blockchain, decentralization, token-based economics, online communities, metaverses, etc. and their relevance to musicians and music educators.

Friends! A variety of students attend the Orfeo Music Festival. The majority are university and high school students, but there are also younger students as well as talented adult amateurs and others. Most Orfeo participants are from the USA, but there is a definite international flavor with faculty and students from Russia, Austria, China, Germany, England, Australia, Korea, and other countries.

Apply! Click here. Application deadline is March 15, 2023. I am happy to help you with applying, just contact me: clarinetmiketexas@yahoo.com.

Scholarships! The Orfeo Music Festival has a limited number of merit scholarships available. Click here for more information.

Fee Table! How much does Orfeo 2023 cost? Click here.

Facebook! Check out and join my official ClarinetMike In Italy 2023 Facebook Page. I’ll be posting updates, pictures, videos, application information, and all kinds of cool stuff about Orfeo 2023! Click here.

Social Media! I’ll be using the hashtag #orfeo2023 when I post on Facebook and other social media platforms such as Instagram, TikTok, Twitter, LinkedIn, etc.

Perform! Below I’m performing at a past Orfeo Music Festival in Vipiteno, Italy. I’m performing Astor Piazzolla’s Oblivion with my fabulous pianist colleague, Faina Lushtak, at the Chiesa di Santa Margherita in Vipiteno, Italy – an early Tyrolian Baroque church built in the 1670’s with an old bell tower first mentioned in 1337.

ClarinetMike says, “Come Perform and Study in the Italian Alps at the Orfeo Music Festival in July 2023!”
Posted in All, News, Orfeo Music Festival, Performance & Pedagogy | Tagged , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Handouts for ClarinetMike’s “Digital Assets and Music Career Development” Presentation at UMBS 2023

“Digital Assets and Music Career Development”
Dr. Michael Dean “ClarinetMike”
Friday, January 6, 2023, 1 pm central time (UTC -6)
clarinetmiketexas@yahoo.com

Ultimate Music Business Summit 2023
January 5-7, 2023 Live Online
TicketsClick Here

Abstract: Noted clarinetist Dr. Michael Dean “ClarinetMike” will consider the emerging world of new digital assets and technologies and their possible uses to advance a music career. In a personal and user-friendly way, Mike will consider the past, present, and potential future of Web3, NFTs, blockchain, decentralization, token-based economics, online communities, metaverse, etc. and their relevance to musicians and music educators. There will be time for formal and informal questions and answers.

Main Point: Introduce this new world of digital assets to musicians and music educators.

Handout #1: Presentation Outline

1. My Story

2. Background: Blockchain, Bitcoin, Ethereum, etc.

3. Web 3

4. NFTs and Metaverse

5. Digital Asset Resources for Further Study

Handout #2: Digital Asset Resources

Digital Asset Resources
Dr. Michael Dean “ClarinetMike”
clarinetmiketexas@yahoo.com

General Information Websites

CoinMarketCap: coinmarketcap.com/ Overview of all cryptocurrencies; lots of information

Crypto and Stock charting: www.tradingview.com/ Charting tool for crypto and stock technical analysis


Video Channels

Coin Bureau: www.youtube.com/c/CoinBureau  Guy Turner fronts the #1 crypto education channel

Coin Burea Clips: www.youtube.com/@coinbureauclips/videos More Guy Turner with great information

WhiteBoard Crypto:  www.youtube.com/c/WhiteboardCrypto Crypto explained with cool illustrations

99 Bitcoins: www.youtube.com/c/Bitcoinwithpaypal/featured Super clear explanations


Specific Videos and Articles

Crypto Beginners Guide: www.youtube.com/watch?v=VYWc9dFqROI&t=441s

Blockchain: www.youtube.com/watch?v=2yJqjTiwpxM

Blockchain Article: www.investopedia.com/terms/b/blockchain.asp

Web 3: www.youtube.com/watch?v=qrPxnIcDKyQ

NFT Article: www.investopedia.com/non-fungible-tokens-nft-5115211

Music NFTs: www.youtube.com/watch?v=coSsWs9Ir_0

Gather (simple metaverse) www.gather.town & www.youtube.com/watch?v=jXfglu23oOs&t=3s


Online Publications

CoinDesk: www.coindesk.com/  [sign up for free newsletter]

CoinTelegraph: cointelegraph.com/   [sign up for free newsletter]

Crypto Exchanges (where to buy crypto): Coinbase, Binance.US, Gemini

Crypto Wallets (where to hold crypto): Trust Wallet, Exodus, Coinbase Wallet

Music NFT Marketplaces & Informationwww.benzinga.com/money/best-music-nft-marketplace

Important Cryptos: Bitcoin, Ethereum, Avalanche, Chainlink, Cardano, Polygon, Aave, Stablecoins (USDC & USDT)

NOTE: This is NOT financial advice. The above are my opinions. Crypto, NFTs, and such are NEW and evolving technologies. So, be careful! Never invest more than you can afford to lose! Plus, be careful with all wallets.

ClarinetMike says, “We have the greatest music in the world and should be at forefront of the emerging world of new digital assets and technologies.”

Posted in All, ClarinetMike's 101 Clarinet Tips, ClarinetMike's Clarinet Teacher Tips, News, Performance & Pedagogy | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

New ClarinetMike Digital Collectible!

Dr. Michael Dean “ClarinetMike”

New ClarinetMike Digital Collectible! In support of my upcoming presentation, “Digital Assets and Music Career Development” at the Ultimate Music Business Summit 2023 on Friday, January 6, 2023 at 1 pm central time (UTC -6) [click here], I’ve dropped my first ClarinetMike Digital Collectible! I’m trying out this exciting new tech with a beautiful work from one of my CD’s: Jeffrey Hoover’s Dreaming featuring me and pianist Tyson Wunderlich.

Click here to check out the ClarinetMike Digital Collectible. Also, inside the collectible, there is exclusive future content that can be unlocked for those purchasing the collectible – can’t tell you here, it’s secret! For help purchasing the collectible, click here.

FYI, as far as I can tell, I’m one of the first clarinetists to post a work on OpenSea, the largest digital asset marketplace in the world.

ClarinetMike says, “We have the greatest music in the world and we should be at forefront of this emerging world of new digital assets. So, start learning folks! A great way to learn is to get a ticket and attend my January presentation on digital assets here.”

Posted in All, ClarinetMike's 101 Clarinet Tips, ClarinetMike's Clarinet Teacher Tips, News, Performance & Pedagogy, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , | 2 Comments

Hear ClarinetMike on “Digital Assets and Music Career Development” at UMBS 2023 Live Online!

Dr. Michael Dean “ClarinetMike”

Hey! Learn about the emerging new world of digital assets! On Friday, January 6, 2023 at 1 pm central time (UTC -6), I will be speaking on digital assets at the live online Ultimate Music Business Summit 2023 (UMBS 2023) occurring January 5-7, 2023.

Tickets to hear me and entire 3-day conference are available HERE. FYI, I get a percentage of the net profits. The below is from the presentation handout:

Digital Assets and Music Career Development
Ultimate Music Business Summit 2023
January 5-7, 2023 Live Online
Dr. Michael Dean “ClarinetMike”
clarinetmiketexas@yahoo.com * clarinetmike.wordpress.com/about

Abstract: Noted clarinetist Dr. Michael Dean “ClarinetMike” will consider the emerging world of new digital assets and technologies and their possible uses to advance a music career. In a personal and user-friendly way, Mike will consider the past, present, and potential future of Web3, NFTs, blockchain, decentralization, token-based economics, online communities, metaverse, etc. and their relevance to musicians and music educators. There will be time for formal and informal questions and answers.

Main Point: Introduce this new world of digital assets to musicians and music educators.

Date: Friday, January 6, 2023 at 1 pm central time (UTC -6)

Tickets: Click Here

Presentation Outline:

1. My Story

2. Background on Bitcoin, Blockchain, Eth, etc.

3. Web3

4. Relationship to Music, NFT’s etc.

5. Digital Asset Resources for Further Study

ClarinetMike says, “We have the greatest music in the world and should be at forefront of the emerging world of new digital assets and technologies. So, get a ticket and I’ll see you live online at UMBS 2023!”

Posted in All, News, Performance & Pedagogy | Tagged , , , , , , , , , , , , , , , , | 1 Comment

7 Time Management Tips

Dr. Michael Dean “ClarinetMike”

7 Time Management Tips by Dr. Michael Dean “ClarinetMike”

1. Get a Plan! Make some kind of schedule or time plan and DO IT! I have found that having a plan and following it (even if it’s a so-so plan) results in great success. Don’t wait until you have the “perfect plan” to start.

2. Goal! Relate your plan to a goal or two, not just putting out fires. One or two things actually accomplished is better than ten things not done.

3. Hey, How’s It Going? Handle texts, email, Facebook messages, regular mail, etc. only once. Read it now or later (not both!). However, ALL messages should be answered within 24 hours.

4. Thanks So Much, but I Have To Go…. Learn how to quickly (and courteously) get rid of pesky unexpected visitors when they call or drop by your office or practice room to just “chat.”

5. Help! Recruit help. You do not have to do every chore yourself. You could give the pesky unexpected visitor a job to do for you!

6. STOP! Television and the internet are your enemies, at least as far as time is concerned. Now, a new enemy is here: the Smartphone. FYI, you don’t have to check Twitter every few minutes to see who your baseball team may hire as the next manager.

7. Just Do It! The more you are disciplined, the more disciplined you will become. Work hard to develop better time habits.

BONUS: Mom is Right! Exercise/Eat Right/Sleep 7-8 hours every night. “Every hour of sleep before midnight counts as two” is a good old rule to follow.

ClarinetMike says, “Calm down, read through these tips again, put your phone away, and then plan the rest of your day and week.”

The above is a modified version of information from my published article, “Basic Time Management” © by The National Association of College Wind and Percussion Instructors NACWPI Journal, Vol. XLVI, No. 3, spring 1998. Thanks to NACWPI for kind permission.

Posted in All, All-State, ClarinetMike's 101 Clarinet Tips, ClarinetMike's Clarinet Teacher Tips, Performance & Pedagogy | Tagged , , , , , , , , , , , | Leave a comment

Southern California Tour 2022!

Dr. Michael Dean “ClarinetMike”

On Tour! Next week I’ll be giving performing, teaching, presenting, and more on a short solo tour of Southern California! Below is venue and program information.

Southern California Tour 2022
Michael Dean, clarinet

Tour Itinerary
California Institute of the Arts (CalArts)
Valencia, California
Monday, September 19
Recital and Presentation, 2 pm pt (online)

Academy of Visual and Performing Arts
Culver City High School
Culver, City, California
Thursday, September 22
Recital, 1:30 pm
Master Class, 2:30 pm
Coaching, 3:45 pm

University of California at Los Angeles (UCLA)
Los Angeles, California
Friday, September 23
Recording Session, 2 pm

NACWPI/College Music Society 2022 National Conference
Long Beach, California
Saturday, September 24
Presentation, 9 am

Recital Program (from the following)
Summer Sunrise on the Mississippi (2009) by Robert Fruehwald (b. 1957)
(clarinet & media)

Transposing A Feeling: For Bailey Sikorski (2020) by Austin Ali (b. 1997)
(solo clarinet)                                                                        

Burn: re-mixed (2020) by Peter Meechan (b. 1980)
(clarinet & media)

Intermission

Song of Solitude (2021) by Mark Carlson (b. 1952)
(solo clarinet)

Andy and Me (2006) by Robert Fruehwald
(clarinet & media)

Program Notes: Click here and here

American Clarinetist Michael Dean “ClarinetMike” performs and teaches internationally and across the USA to consistent praise and acclaim such as, “world-class clarinetist and pedagogue,” “consummate performer,” “inspirational,” “outstanding teacher,” “super,” “brilliant performer,” and “one of the best clinicians I have ever seen.”

Dr. Michael Dean’s career is headlined by appearances at Carnegie Hall, ClarinetFest, NACWPI, Eastman, and Royal Northern College of Music, with recent recitals and master classes in Italy, Spain, Canada, California, Michigan, Ohio, Alabama, Kansas, Louisiana, and Texas. He is planning a solo recital and master class tour of Israel for spring 2023. He is on the faculty of the summer Orfeo Music Festival in Vipiteno, Italy as Clarinet Artist Faculty in Residence.

Michael Dean performed with the Paducah Symphony Orchestra for 11 years and has also performed with the Southwest Symphony, Nevada Symphony, Abilene Philharmonic, Abilene Opera, Southeast Chamber Players, Red Mesa Trio, Dallas Chamber Wind Ensemble, and Duo 35 with saxophonist Todd Oxford. As a clarinet performing and recording artist, he has commissioned, premiered, edited, and recorded numerous new and lesser-known clarinet works. He is featured on 6 commercial CDs, including the upcoming Postcards from Silver Lake CD. He is also prominent on New Media, such as YouTube and Facebook.

He has given more than 800 master classes, clinics and performances at universities, colleges, conservatories, festivals, conferences, and high schools. His ClarinetMike Blog and ClarinetMike QuickTips are widely read on the internet and social media and viewed in more than 150 countries on 6 continents. His articles also appear in professional journals such as Southwestern MusicianWINDPLAYERThe Bandmasters’ Review, and NACWPI Journal. He is a past president and former officer on the National Board of the National Association of College Wind and Percussion Instructors (NACWPI).

A committed teacher and noted pedagogue, Dr. Dean’s students enjoy successful careers as professional performers, educators, and administrators. They consistently win awards and distinctions at competitions and festivals including solo & ensemble, all-region, all-state, and various concerto and other competitions. After a successful 25 years of teaching the clarinet and music at the college level, he relocated to his native Texas due to family concerns. He is currently an active clarinet and woodwind performer, teacher, clinician, and consultant based in Dallas-Fort Worth, Texas.

Dr. Michael Dean studied clarinet performance at Texas Tech University, University of Texas at Austin, University of Colorado at Boulder, and University of Texas at Arlington. He is a BG France Performing Artist and his professional website is clarinetmike.com. Mike and his family live in Hurst, Texas.

**********

Michael Dean’s CD’s, including his upcoming Postcards from Silver Lake, are available for online download and purchase at iTunes, Apple Music, Amazon, Spotify, Napster, CDBaby, vcisinc.com, and other vendors.

Join ClarinetMike’s Free Mailing List! Send a request to ClarinetMikeTexas@yahoo.com.

ClarinetMike says, “Hey! Special thanks to Rachel Rudich, Tony Spano, Danielle Woolery, NACWPI, Austin Ali, Robert Fruehwald, Peter Meechan, and Mark Carlson for their help on this tour and for being super cool!”

Posted in Uncategorized | Tagged , , , , , , , , , , , , , , , , | Leave a comment

10 Practice Tips for All-State, Solos, and Everything!

Dr. Michael Dean “ClarinetMike”

10 Practice Tips for All-State, Solos, and Everything!
by Dr. Michael Dean “ClarinetMike”

  1. Go Slow. Load correct information only! Go slow and learn the rhythm and notes correctly the first time and every time. Go Slow!
  2. MORE Go Slow. Generally, begin work on an etude by counting in eighth notes, i.e. twice as slow or three times as slow if in 3/8 or 6/8. This means one eighth note gets one beat, one quarter note gets two counts, dotted quarter note gets three counts, etc.
  3. DYNAMICS! DYNAMICS!! DYNAMICS!!! every step of the way! Learn dynamics as you learn the rhythm and notes. Adding dynamics later does NOT work very well. “If you learn it at mezzo nothing, you’ll perform it at mezzo nothing!”
  4. Learn Ornaments From the Start. Do not put off the ornaments until later! In preparing the etude, YOU MUST learn it the right way slowly from the beginning. DO NOT skip grace notes, trills, turns, etc. and think you will add those at a later time. BAD IDEA! Your “muscle memory” will be messed up and you’ll be relearning those spots forever.
  5. Performance Tone. Learn etude with a “performance tone,” not a “practice tone.” In fact, never use a “practice tone.” [This idea comes from the Note Grouping video below.] A bad tone always sounds…BAD!
  6. Tonguing. Work on tonguing every day.
  7. Sight-Reading. Do some sight-reading (and work on other music) every day to keep your playing fresh.
  8. Metronome. The metronome is a valuable tool and should be used a lot. Do not use it 100% of the time when you practice an all-state etude, solo, etc. Do not get “Metronome Addiction.” This is where a person can play an etude or solo well only with a metronome. Common Sense is also a valuable tool!
  9. Practice Routine. Work on basics and scales every day as you work on the all-state etudes, solos, etc. Use an organized Practice Routine.
  10. Note Grouping. The Note Grouping concept works great for fast passages. It is described in a Note Grouping video featuring the Los Angeles Philharmonic’s Nathan Cole here.

ClarinetMike says, “Use these tips!”

Posted in Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

ClarinetMike’s All-State Preparation Guide!

Dr. Michael Dean “ClarinetMike” giving a summer clarinet clinic.

ClarinetMike’s All-State Preparation Guide!
Dr. Michael Dean “ClarinetMike”
Clarinet Performing, Teaching and Consulting
Hurst, Dallas-Fort Worth, Texas USA
clarinetmiketexas@yahoo.com * 682-888-7639
clarinetmike.wordpress.com

Step 1: Preliminary Concerns

  1. Get quality equipment. FYI, my Bb soprano clarinet set up: Buffet R13 clarinet [1974], Vandoren M13 Lyre mouthpiece, Vandoren V12 3.5 or D’Addario Reserve Classic 3.5 reeds, BG Super Revelation ligature, metronome/tuner, GEM swab, ReedGeek, etc.
  2. Find a good private teacher who teaches solid basics and expressive musical style. Stay away from Rote-Only Teachers and YouTube Videos. [Don’t just copy a recording. Learn to count! Rote-only playing will NOT get you past a good university audition.]

Step 2: Core Concepts

  1. It’s All About the Music. So, work on ARTC Basics & ARTSY Musical Style to give you the tools to perform. Focus on Phrasing, especially Romantic Era Style.
  2. Genuine Excellence = Talent × Practice Time × Practice Quality.
  3. Loading & Unloading. Slow Careful Practice = Speedy, Confident Performing. The Tortoise and the Hare – Be a Turtle! See Frank R. Wilson
  4. Focus on What You Control: Preparation & Effort. What is Success? See John Wooden, etc.
  5. Power of Habit. Work on Basics (ARTC) & Scales along with the All-State Music in a Good Practice Routine. Yes, say it with me, “Practice in a Good Practice Routine!”

Step 3: General Preparation Tips

  1. Practice and perform only on good reeds.
  2. Clap and sing the music.
  3. Use a metronome and tuner.
  4. Record yourself – check out phone apps!
  5. BOLD Dynamics.
  6. Sound Projection
  7. Plan and mark breathing carefully.
  8. Understand all terms, notation, ornaments, etc. that are on the etudes.
  9. Create a cheat sheet. Write each etude’s scales and arpeggios at top of music.
  10. Check out ClarinetMike Blog and QuickTips for additional practice tips.

Step 4: Etude Preparation Template

  1. Composer and Style
  2. Overview
  3. Tempo and Key
  4. Sections and Phrases
  5. Special Issues (repeated figure, etc.)
  6. Musical Issues
  7. Technical Issues (articulation, rhythms, fingerings, etc.)
  8. Problem Passages
  9. Scale and Arpeggio Cheat Sheet
  10. Breath Marks
  11. Other
  12. Suggested Listening

ClarinetMike says, “Hey! Book me for a clarinet clinic in person or virtual!”

Posted in Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

ClarinetMike to Perform and Teach in Italy!

ClarinetMike performing a premiere at Chiesa di Santa Margherita at the Orfeo Music Festival in Vipiteno, Italy.

Hey! I’m in Munich Germany! Saturday, I take the train through the stunning Alps to again return to Vipiteno, Italy where I’ll be Clarinet Artist Faculty in Residence performing and teaching at Orfeo Music Festival 2022! This year I’ll be performing four works including two European Premieres. Below is program information plus program notes on the premieres. Also below is a link to complete program information for the Orfeo Music Festival PLUS something extra!

PROGRAM

Song of Solitude (2021) for solo clarinet by Mark Carlson (b. 1952)
(European Premiere)
Michael Dean, clarinet
Friday, July 8, 2022, 8:30 pm
Vigil Raber Saal, Vipiteno, Italy

Burn: re-mixed (2020) for clarinet & media by Peter Meechan (b. 1980)
(European Premiere)
Michael Dean, clarinet
Saturday, July 9, 2022, 8:30 pm
Chiesa di Santa Margherita, Vipiteno, Italy

Trio, Op. 87: Allegro by Ludwig van Beethoven (1770-1827)/Donald Bierschenk, arranger
Orfeo Clarinet Ensemble
Sean Reed, clarinet
Kayla Cockerline, clarinet
Michael Dean, clarinet
Saturday, July 9, 2022, 8:30 pm
Chiesa di Santa Margherita, Vipiteno, Italy

Trio in E-flat Major, K. 498 “Kegelstatt” by W.A. Mozart (1756-1791)
Michael Dean, clarinet
Ilan Schneider, viola
Dena Kay Jones, piano
Friday, July 15, 2022, 8:30 pm
Vigil Raber Saal, Vipiteno, Italy

NOTES

Song of Solitude (2021) for solo clarinet (European Premiere) by Mark Carlson (b. 1952)

Mark Carlson said, “The original image that floated into my head as I began work on this piece was that of a shepherd, seated on a hill with a flock below, improvising a song—both to fill as distraction from loneliness and for the pleasure of making music. The piece, which I wrote at Michael Dean’s request for his Fall 2021 tour of Texas and Oklahoma, is freely based on song form (AABA).”

Composer Mark Carlson‘s lyrical, emotionally powerful, and stylistically unique music has earned him the admiration of audiences and musicians throughout the United States, Canada, Mexico, and Europe. A versatile composer, his approximately 100 works include art songs, chamber music, choral music, concertos and other large ensemble works, and songs for musical theater. He is currently working on an opera on The Scarlet Letter with librettist Bruce Olstad. The recipient of more than 50 commissions, he has been commissioned by the National Shrine in Washington, DC, and the New West Symphony, among other organizations, as well as by many individual musicians and private parties. One of his thirteen CDs, The Hall of Mirrors, was a winner of the Chamber Music America/WQXR Record Awards for 2001. He taught music theory and composition at UCLA for 28 years until his retirement in 2018 and also taught at Santa Monica College for 15 years. He is the Founder and Artistic Director of the Los Angeles chamber music ensemble Pacific Serenades, and he recently retired as a flutist, after a lifetime of performing primarily chamber music, much of which was written for him.  Born in Ft. Lewis, WA, Carlson grew up in California, attended the University of Redlands, graduated from CSU Fresno, and received MA and PhD degrees in composition from UCLA. His professional website is markcarlsonmusic.com.

Burn: re-mixed (2020) for clarinet & media (European Premiere) by Peter Meechan (b. 1980)

Burn was originally composed for solo clarinet and wind orchestra/band in 2012 for British clarinetist Linda Merrick. Burn was premiered by her in March of 2012 accompanied by the Sheffield University Wind Orchestra (SUWO) conducted by Tony Houghton. This version, Burn: re-mixed, for clarinet and media was commissioned by Michael Dean and premiered by him at the University of Michigan and other venues on his tour of Michigan and Ohio in February of 2020.

Peter Meechan said, “The initial unaccompanied passage that opens the work was written during 2011’s “Arab Spring”, which dominated news reports of the time. The haunting soundtrack to these newscasts (which were a strange cocktail of devastating, uplifting, angry, mournful, rallying and peaceful) was the calls to prayer. There was no attempt whilst writing Burn (a title inspired by region’s climate) to directly imitate these calls to prayer, but certainly they had an impact on the opening passage of the work, and therefore the whole piece.”

The music of Canadian-based British composer Peter Meechan is performed throughout the world. His music has been commissioned, recorded, broadcast and performed by some of the world’s leading wind orchestras, brass bands, conductors and soloists, including: “The President’s Own” United States Marine Band, Dallas Symphony Orchestra, Dallas Winds, Bramwell Tovey, Black Dyke Brass Band, Dunshan Symphonic Wind Orchestra, The Band of the Coldstream Guards, RNCM Wind Orchestra, University of Texas Wind Ensemble, Jerry Junkin, Ryan Anthony, Jens Lindemann, Steven Mead, Les Neish, Linda Merrick, the BBC Concert Orchestra, Edmonton Symphony Orchestra, Rex Richardson, Jacques Mauger, and many more.

Meechan’s music is featured on over 100 commercial recordings and has been featured at festivals and clinics globally, including the Midwest Clinic, the International Trumpet Guild, the International Tuba and Euphonium Association, BASBWE conferences, and in 2014 his work “The Legend of King Arthur” was used as the set test piece at the British National Brass Band Championships, held in the Royal Albert Hall, London. Peter was the first ever “Young Composer in Association” with the prestigious Black Dyke Brass band, where he went on to serve as their “Composer in Residence”, a position he also held between 2012 – 2015 with The Band of the Coldstream Guards. He holds an undergraduate degree from the Royal Northern College of Music, a Master of Arts degree and a PhD (composition), both from the University of Salford. Peter Meechan’s music is principally published by his own publishing house, Meechan Music.

Complete Program Information for Orfeo Music Festival 2022: CLICK HERE.

ClarinetMike says, “PLUS! My terrific student, Sean Reed, will be giving the World Premiere of a beautiful new work for clarinet and piano, Le Voir, by composer Benjamin J. Brooks. The premiere will take place on Tuesday, July 12 at 5:30 pm in Vigil Raber Saal in Vipiteno, Italy!

Posted in All, News, Orfeo Music Festival, Performance & Pedagogy, Uncategorized | Tagged , , , , , , , , , | Leave a comment