ClarinetMike’s Clarinet Teacher Tips: Fingerings for F# and Eb

ClarinetMike says, “Teach good fingerings.”

ClarinetMike says, “Teach good fingerings.”

ClarinetMike’s Clarinet Teacher Tips: Fingerings for F# and Eb

Fingerings for F# and Eb. Below I discuss two common fingerings that should be taught to beginning (and all) clarinetists.

First space F#/Gb.  Beginners are often taught to play this note in a chromatic scale with thumb and right bottom 2 side (trill) keys. I strongly suggest that teachers teach the standard fingering of left hand index finger instead. Have students use it all the time, even in the chromatic scale.  In actual music it almost always is the preferred fingering for F#/Gb. Learning to “flip” between thumb F and index F# is an important technique for all clarinetists.

I was taught to introduce alternate fingerings early and often – and I agree. However, I would make it clear to the students that the basic (or guide) fingering for F# is index finger. FYI, legendary clarinet performer/teacher, Robert Marcellus, said in an interview, “…the two side trill keys are not chromatic ‘F#’ like a lot of people play. The chromatic of “F#” is just the index finger in the left hand.”

[However, if for some reason you simply MUST teach trill key F# in a chromatic scale, I plead with you to make sure your students also know regular index finger F#. I’ve seen far too many clarinet students use trill key F# all the time as their usual fingering – I suspect their junior high band directors never taught the standard fingering to them.]

First line Eb/D# (also Bb/A# second space above the staff). Beginners are often taught to play this note with the left hand fork key (also called the “sliver” or “banana” key). Instead, teachers should teach the students to use the normal fingering of the top two fingers of left hand with right bottom side (trill) key.  And, as above, I strongly suggest this fingering be used also in the chromatic scale. Again, this fingering is almost always the preferred fingering in actual music. Further, the left hand fork key is very difficult to use if a student’s fingers aren’t slender. FYI, one of my teachers told me a story about a famous clarinetist who disliked the left hand fork key so much he had it taken off the clarinet and its hole plugged up!

I want to restate that I think alternate fingerings should be introduced early and often. The more fingerings a clarinetist knows, the better he/she can solve technical problems in music. As John Wooden said, “Little Things Make Big Things Happen.”

(Above post is a slightly revised version of a previous post.)

About ClarinetMike

American clarinetist MICHAEL DEAN performs and teaches internationally and across the USA to consistent praise such as "world-class clarinetist and pedagogue," "consummate performer," "inspirational," "outstanding teacher," "super," "brilliant performer," and "one of the best clinicians I have ever seen." His career is headlined by appearances at Carnegie Hall, ClarinetFest, NACWPI, Eastman School of Music, and Royal Northern College of Music with recent recitals and master classes in Italy, Spain, Kansas, Iowa, Missouri, Louisiana, and Texas. In July, he will return to Vipiteno, Italy as Clarinet Artist Faculty in Residence at Orfeo Music Festival 2017. He is featured on 5 commercial CD's and on New Media, such as YouTube. He is currently preparing another new clarinet CD, Postcards from Silver Lake. He's performed with the Southwest Symphony, Nevada Symphony, Abilene Philharmonic, Southeast Chamber Players, Red Mesa Trio, and Duo 35. He performed for 11 years with the Paducah Symphony. His articles appear in journals such as Southwestern Musician, WINDPLAYER, NACWPI Journal and The Bandmasters' Review. As "ClarinetMike," he writes for his widely-read ClarinetMike Blog, clarinetmike.wordpress.com-viewed in 150 countries on 6 continents. He was recently a tenured Associate Professor of Clarinet for 11 years at Southeast Missouri State University. He returned to his native Texas in 2012 due to family concerns. He is a past president and former National Board officer of the National Association of College Wind and Percussion Instructors (NACWPI). Dr. Michael Dean studied clarinet performance at Texas Tech University, University of Colorado at Boulder, University of Texas at Austin and University of Texas at Arlington. His teachers include Robert Walzel, Phil Aaholm, Carol Jessup, Jess Youngblood, Bob Ackerman, and Pam Youngblood. His web page, clarinetmike.com, features video of his teaching and performing as well as information on his CD's and other publications. He is a BG France Performing Artist.
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4 Responses to ClarinetMike’s Clarinet Teacher Tips: Fingerings for F# and Eb

  1. Greg Shirer says:

    Thanks Mike,
    As a beginning clarinet player, I appreciate your insight.

  2. Karl Krelove says:

    I agree about RH Eb. But I think pushing a small piece of cork under the LH “sliver” key so it won’t open is a lot easier than filling the hole if you actually remove the key.

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