ClarinetMike’s Clarinet Teacher Tips: Great Embouchure = Great Clarinetists! The Single Lip-Double Lip Embouchure

Dr. Michael Dean "ClarinetMike"

ClarinetMike says, “Single Lip-Double Lip Embouchure works great for me and my students!”

ClarinetMike’s Clarinet Teacher Tips: Great Embouchure = Great Clarinetists! The Single Lip-Double Lip Embouchure

“Single-Lip-Double Lip” is the term I use to describe the embouchure I perform with and teach (also known as “5-C“ Embouchure). The embouchure was developed over a number of years based on my study of the innovative ideas of master single reed teacher Joe Allard. (See HERE for important acknowledgements, etc.)

“Single Lip-Double Lip” is a single lip embouchure that gives the benefits of both single and double lip embouchures. Described below, the “Single Lip-Double Lip” embouchure allows the reed to vibrate freely as does a double lip embouchure. However, it avoids the problems of double lip: hard to do, hurts for some, lack of stability for marching/standing, etc.

I strongly suggest using the “Single Lip-Double Lip” embouchure in conjunction with my “5 E-Tips for E-Lips” embouchure tips.

Single Lip-Double Lip Clarinet Embouchure

What produces the sound on the clarinet? Clarinet sound is produced by the reed vibrating against the slot in the mouthpiece activated by the air (see E-Tip #3). Unlike brass players, the clarinet embouchure is not the sound maker (resonator).

So, what is the purpose of clarinet embouchure? The purpose of clarinet embouchure is to provide a great environment or platform (or “Happy Place”) for the reed to vibrate. My Single Lip-Double Lip (aka 5-C) Embouchure below will help a clarinetist develop a good platform or “Happy Place” for the reed to vibrate.

Single Lip-Double Lip [5-C] Embouchure Steps:

1. Circumference
2. Corners to Cheekbones
3. Chin
4. Cover
5. Click

Single Lip-Double Lip [5-C] Embouchure Details:

  1. Circumference: Lightly stretch bottom lip flat around lower teeth circumference.
  2. Corners to Cheekbones: Use “Smile Muscles” (Zygomaticus major muscles) to stretch lightly upwards from mouth corners to cheekbones. These muscles are the ones used when smiling. This should also help flatten out the chin.
  3. Chin: Smooth out chin muscles, focusing the chin to a point. But, DO NOT hinge the jaw forward – use a normal face. NOTE: Steps 1 and 2 will likely flatten the chin just about right – this step could be called “Check Chin.”
  4. Cover: Put some bottom lip over bottom teeth – “Not too much, not too little, just right.”
  5. Click: Top teeth rest on mouthpiece. Think, “Click” (See E-Tip #4).  Don’t bite down hard – think of top teeth “receiving” the mouthpiece. IMPORTANT: Upper lip also sits gently on top of mouthpiece and moves upwards toward top teeth with no downward pressure.

ClarinetMike says, “Great Clarinet Tone is really only about making a happy place for the reed to vibrate and blowing the air the right way.”*

*High quality clarinet, mouthpiece, reed, ligature, barrel, etc. are essential too, of course….

[The above is a slightly revised version of a previous post.]

About ClarinetMike

American Clarinetist Michael Dean “ClarinetMike” performs and teaches internationally and across the USA to consistent praise such as, “world-class clarinetist and pedagogue,” “consummate performer,” “inspirational,” “outstanding teacher,” “super,” “brilliant performer,” and “one of the best clinicians I have ever seen.” Dr. Dean’s career is headlined by appearances at Carnegie Hall, ClarinetFest, NACWPI, Royal Northern College of Music, and Eastman School of Music, with recent recitals and master classes in Italy, Spain, Canada, Michigan, Ohio, Kansas, Iowa, Louisiana, and Texas. He recently returned for a fourth summer to the beautiful Italian Alps of Vipiteno, Italy as Clarinet Artist Faculty in Residence at the international Orfeo Music Festival. He is featured on 6 commercial CD’s including his soon-to-be-released new CD, Postcards from Silver Lake. He is also prominent on New Media, such as YouTube. He was clarinetist with the Paducah Symphony Orchestra for 11 years and he’s also performed with the Southwest Symphony, Nevada Symphony, Abilene Philharmonic, Southeast Chamber Players, Red Mesa Trio, and Duo 35. He has given more than 500 master classes, clinics and performances at universities, conservatories, conferences, festivals, high schools, junior high schools, and a diverse array of venues. As “ClarinetMike,” he writes for his noted and widely-read ClarinetMike Blog – viewed in 150 countries on 6 continents, clarinetmike.wordpress.com. His blog is the #1 clarinet blog on the Internet according to Google Search and a recent ranking on Feedspot. His articles also appear in professional journals such as the Southwestern Musician, The Bandmasters’ Review, WINDPLAYER, and NACWPI Journal. He is a past president and former officer on the National Board of the National Association of College Wind and Percussion Instructors (NACWPI). After a successful 20 years of teaching clarinet at the university level, he relocated to his native Texas due to family concerns. He is currently an active clarinet and woodwind performer, teacher, clinician, blogger, and consultant based in Dallas-Fort Worth, Texas. Dr. Michael Dean studied clarinet performance at Texas Tech University, University of Texas at Austin, University of Colorado at Boulder, and University of Texas at Arlington. His teachers include Robert Walzel, Phil Aaholm, Carol Jessup, Bob Ackerman, and Jess Youngblood. He is a BG France Performing Artist and his professional website is clarinetmike.com. Mike and his family live in Hurst, Texas. His family’s new Golden Retriever, Nimbus, is a relative of Andy.
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4 Responses to ClarinetMike’s Clarinet Teacher Tips: Great Embouchure = Great Clarinetists! The Single Lip-Double Lip Embouchure

  1. Tom says:

    Mouth and tongue position are probably two of the most important positions to perfect. Thx. : )

    Sent from my iPhone

    >

  2. Pingback: ClarinetMike’s Clarinet Teacher Tips: 5 Embouchure Tips “The E-Tips for E-Lips” | ClarinetMike Blog

  3. Pingback: ClarinetMike’s Clarinet Teacher Tips: Right Hand Down? | ClarinetMike Blog

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